Thanks Lyfespan. Spy genre is fun for sure. I liked Chuck on prime as well.
Latest netflix. Season 3 of Cobra Kia just hit!
I’ve been watching the sci-fi The Expanse its on Prime , up to season 5 I’d give it Three stars out of five it just barely entertaining at this point
Couple of recent finds on Netflix...
“The Liberator”: a lieutenant takes a bunch of Army misfits from the SW US & molds them in a team that serves with distinction from Sicily to Dachau during WWII. Filmed with real actors, but rotographed or something for a simulated animation effect. Good performances, well done show - worth watching if you like war movies. Miniseries.
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I tried but couldn't get past the animation effect.Just binged this. Very very good.
Both "Master and Commander" and "The Last of the Mohicans" were recently added to Prime. Two movies which I think would drop on my top 10 list.
Like a black and white movie, you'll forget about it soon enough. Give it a shot.I tried but couldn't get past the animation effect.
Both "Master and Commander" and "The Last of the Mohicans" were recently added to Prime. Two movies which I think would drop on my top 10 list.
I Agree >>> View Image
Magua will see silverhair under his knife! My kinda people....... according to my dna......almost literally lol
Magua will see silverhair under his knife! My kinda people....... according to my dna......almost literally lol
Like a black and white movie, you'll forget about it soon enough. Give it a shot.
There was a time when movies had to depend on a plot. Not so much on whiz bang. Some of the first color movies are amazing. The best opening scene for me is in SHANE. Fantastic.
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great B&W movie
The Best Years of Our Lives
Sorry folks. Shane was in Technicolor.
Stuff from Wikipedia:
Academy Award
Academy Award for Best Cinematography, Color: Loyal Griggs; 1954
Interesting stuff
"Stevens wanted to demonstrate to audiences "the horrors of violence". To emphasize the terrible power of gunshots, he created a cannon-like sound effect by firing a large-calibre weapon into a garbage can. In addition, he had the two principal shooting victims—Palance and Elisha Cook Jr.—rigged with hidden wires that jerked them violently backward when shot. These innovations, according to film historian Jay Hyams, marked the beginning of graphic violence in Western movies. He quotes Sam Peckinpah: "When Jack Palance shot Elisha Cook Jr. in Shane, things started to change.""